I thought this Jimmy McHugh song was a relatively well-known standard, but it isn’t in any of my fake books. Chet Baker uses a slightly different set of chord changes; I’ve included those below.
Happy new year! Hope your 2018 is happy and healthy. Here’s one from Freddie Hubbard.
Seamus Blake’s latest album, Superconductor, is a pleasing blend of electric and acoustic music. This song finds the leader’s saxophone and voice running through effects to set a space-age mood.
Here’s another song from Cannonball Adderley’s Inside Straight, this one by pianist Hal Galper.
Here’s a mellow bossa nova from bassist Walter Booker, off of the Cannonball Adderley record Inside Straight. It’s technically a live album, though rather than bring recording equipment to a club, an audience was brought into the studio to applaud solos and generally add a different kind of energy and ambiance to the date. I have been involved in projects like this before, and I find it can help some musicians let go of their anxiety about performing in a sterile studio environment.
For thousands of years music has been a “live” art form, and musicians naturally play with greater enthusiasm and soul when they’re in front of appreciative listeners. Listening to a record can never match the experience of being present while music is created, so please go see live music whenever you get a chance!
I heard this song on the radio while driving home from a gig last month, and since then I sometimes find myself absent-mindedly humming the melody.
Lately I’ve been listening to Jack McDuff’s Moon Rappin’ album while driving around. It’s fun and funky, thanks in no small part to the spirited drumming of Joe Dukes. This tune finds Joe taking a long, energetic solo while keeping the groove locked tight.