Here’s a fun jazz calypso from McCoy Tyner.
A pretty ballad by saxophonist Tom Scott.
I transcribed this from a mix CD given to me about ten years ago. I’ve learned it comes from an Eric Reed album called Blue Monk, but I don’t know who wrote the song or when. Is anyone familiar with this tune?
In 1962, Bill Evans recorded seven albums with five different rhythm sections. He had spent most of the prior two years playing exclusively with Scott LaFaro and Paul Motian, but when LaFaro died in the summer of ’61, Bill took a break from working for the rest of that year. When he returned to the studio, he was matched with a variety of players and formats, but his most frequent collaborator at that time was guitarist Jim Hall.
Interplay finds Hall and Evans joined by Percy Heath, Philly Joe Jones and Freddie Hubbard, at that time known best for his fiery playing in Art Blakey’s band. Freddie is unusually subdued here, maybe because he’s playing older material with older musicians, but everyone puts in swinging performances.
Sometimes it only takes a subtle change to breathe new life into something old and familiar. Dayna Stephens treats Joe Henderson’s “Black Narcissus” very gently; he doesn’t change the melody or the form, he just adds a few more colors to the song’s harmonic palette, almost like he’s holding the original up to the light and turning it.
As a side note, this song was released on Criss Cross album #1345. Just down the line on Criss Cross #1349, violinist Zach Brock plays the song in 5/4 with the original chord changes.
Speaking of Tony Williams, here’s an interesting arrangement from his Story of Neptune album. Ahmad Jamal’s rendition of Poinciana is so well-constructed and iconic that many great musicians have been reluctant to put their fingerprints on it.
More about this song coming soon on the Bass Resources page…
Fans of Tony Williams’ electric bands are probably familiar with this tune by pianist Alan Pasqua. I’ve covered the song with different bands over the years, but no one seems to have the same sheet music for a seemingly simple tune.
One of the problems is the bass seems to play a dissonant F and C natural while the melody outlines F#m. At first I wondered if Tony Newton’s bass was a little out of tune, but the problem doesn’t persist during the solo sections, and to make things worse, I think he plays F and C# at the end. In any case, I wrote a bass chart (as I hear it) for reference.